The Beatles are holed up in a hotel in Tokyo, I am holed in up a (largish) 1 room flat in Malmö

Here are The Beatles painting their only jointly made artwork holed up in the Tokyo Hilton in June of '66. Paul's cigarette pack poking out of his shirt pocket looks like some sort of egg roll sushi brooch, of all things.
They are engrossed - it seems like a nice escape and probably a relief to be allocated a specific corner for your own artistic style. There is only so much collaborating one can do I guess.

I have been sick today, my body feels like a wet woollen jersey - slow, heavy and uncooperative. My head likewise. I am terrible at being sick, any days not working seem like a wasted opportunity to be productive, and I cannot focus on one thing for an extended period of time. Today alternating between reading snippets of Joan Didion's Slouching Towards Bethlehem and watching The Beatles Anthology while continuing to work on an artwork which feels increasingly futile and has no end in sight. I wanted to spend today writing: but my energy has been siphoned out of my brain, perhaps through the snot dribbling out of my left nostril - the right one remains resolutely blocked.

I don't write long things, I struggle to maintain words over the length of a A4 page. These texts are just ideas observed and described. I never write dialogue. Like everything, the only way to improve one's writing is to increase one's output, which is a new intention. I had thoughts of three separate texts to work on when I went to sleep last night, I woke up this morning with faint recollections of two of them and a left arm that had refused to wake up with the rest of me and lolled around like a tentacle.

I have spent the majority of today trying to remember my third idea and reading maybe every fourth sentence of Slouching Towards Bethlehem. It still counts.

My tutor in my second year of art school, Richard Orjis, asked me once something along the lines of 'What's up with all this nostalgia? What isn't interesting about what is happening now?' and the fact that I am still thinking about this 6 years later means it must have made some sort of impression on me. I am not exactly sure what that impression is, except that I associate the word nostalgia with a sort of menacing dread, and I realise I have spent today (along with many many other days) entrenched in the music and writings of the mid sixties. I am listening to Rubber Soul as I type this.

Perhaps tomorrow I can begin to associate with the contemporary world, for tonight I am feeling irrelevant.

Arne Jacobsen furniture in films #1

Arne Jacobsen Egg Chair in Ringo's apartment in Help! while they all play 'You've got to hide your love away".

This is a spotlight that can be fixed to any appropriate surface, even the user's forehead.

Small things - clever, perfectly formed. Simple ideas, functional.
I want to simplify everything. I use so many words, smother works with a deluge of different ideas, theories, concepts each trying to justify the other while at the same time elbowing to the front of the queue.
I want to employ a new simplicity in my work - pare things backs, no over-involved plotlines; but to remember important phrases: a wild sheep chase; the macguffin; tangled threads of crime.

Just make statements. Of intent. I feel like I have been drifting aimlessly along for the past while (I don't even know when this feeling set in).
I found these lights in a book I was processing at the library. Great idea, suction cups! Beautiful and useful.
I am particularly partial to the light suction cupped to the forehead.

I want to put caster wheels on all my pieces of furniture so things can be easily moved around. I used to call these wheels 'coasters' because that is what they did, coast around.
Lights/Bookshelves/Cabinets not just tables and chairs. The ability to reassemble your living spaces. Living in movement.
Inspired by book trolleys at the library and a lamp suction cupped onto a dude's forehead.

Reflections in him

We spent two days mincing around Denmark: Helsingør, Louisiana, Klampenborg, Copehagen. 

Here we are reflected in the gleaming metallic veneer of Elmgreen & Dragset's permanent public sculpture  as he basked in the sun. Positioned on a small pier at Helsingør and titled 'HAN', he clearly rreferences Copenhagen's iconic Little Mermaid.

We went and checker HER out when in Copenhagen - it was a grey drizzling day, two busloads of tourists had just alighted, I helped a solo middle aged man get the requisite photo op of him and the 'maid. 

She was surrounded by shallow dirty water,  and mounds of stinky seaweed which buoyed up piles of waste - bottles, cans and plastic bags. Discarded most likely by the tourists or brought in by the tide. 

It was a sorry spectacle.

I would describe my title like this

I don't appear to have many words in me these days, but then I have always considered myself a bit of a rambler. I would like to be able to explain my ideas and feelings in a few well chosen concise sentences. As yet I am unable to do this.

A drawing of mine currently hangs in one of the corridors at my work. It reads:

OM NATTEN ÄR ALLA KATTER GRÅ

in capitals.

I thought about why I chose this phrase for this drawing. Why any phrase? And then I realised I could have chosen any phrase, in any language. But in my head, whenever I read any sort of statement, film/book/article title, tag line, slogan, my voice takes on a grandiose tone. The phrase is read as a actress making a melodramatic climax accompanied by the sweeping gestures of her arms. 

The thing is, in your head, it always sounds different.

It has become important.
Perhaps it's the Capitals.

The Gallery at the library has a standard template of questions the exhibiting students are required to fill in. The one I am always frustrated by (perhaps due to the fact I am an artist/library assistant, not a student, and this template is not really catered towards me) is:
Mina verk skulle jag beskriva så här: (I would describe my work like this:)

I didn't want to describe my work. That was too difficult. I wanted to title it. So I looked at it, and thought how would I describe what this phrase 'OM NATTEN ÄR ALLA KATTER GRÅ' is. The title would simply describe what the work is, as titles used to. Do they still? Don't know.

SAGE ADVICE FROM A HARD-BOILED DETECTIVE.

this is to be my method for titling from now on. "I would describe my work like this..."




inadequate photo documentation courtesy of instagram

The wood grain to the trees in Skogskyrkogården

The wood grain to the trees in Skogskyrkogården

they probably don't look like that on the inside. from a distance and in extreme close up. just trying to capture the feeling of looking through a crowded scene - a strong feeling to draw apart the series of trunks like a set of curtains.

printed wood grain curtains

Curve of Stadsbiblioteket & rectangle of knitted fishing line

 

Curve of Stadsbiblioteket & rectangle of knitted fishing line

going through photographs looking for repetitions.

both slightly blurred.
slightly dappled sufaces.
curved.